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Saturday 28th September 2019.
All charities are laudable. Local charities are especially so and the concert for Shepshed Foodbank is one close to all our hearts, if only because of our close links with St Botolph’s.
The Shepshed Food bank was launched five years ago when it distributed eight parcels. Now, sad to say, there are forty-five parcels given every week. The work is done mainly by a 20 strong band of volunteers that the organiser, Glenis Wilcox, cannot thank enough. The concert raised over £600 for the foodbank and whilst it’s sad that such a charity exists, it’s far better not to waste food and it’s always a lovely concert to play in.
The band had deps to help us owing to regular band members being away and we had support on the Baritone Saxophone, the clarinet and the drums. For this last, we welcomed back Paul Boneham, an old friend of the band, who certainly put a spring in all our steps!
In addition to a varied programme from the band, we had the Caroline Sharpe Singers, resplendent in their black outfits with a bright scarf or ties. The band accompanied them on some songs, one of which was May it be. Thanks to compere Eddie Pearson, we now know this is a song written by Enya for It the Fellowship of the Ring and nothing to do with the Beatles song Let it be. Eddie certainly had his work cut out with such a varied programme and such enthusiastic performers! And it was worth it to hear how much the audience enjoyed and appreciated the playing.
Additional fund raising activity this week included a cake sale in support of Macmillan nurses on Thursday 26th September which raised £127.
Our first foray into Leicesters parks saw the band perform at Western Park bandstand. Very helpful council workers not only brought chairs for the band but also set out several rows for the audience to add to the existing park benches, and these were soon filled with an appreciative audience. They were entertained with a wide selection of pieces from traditional marches like Colonel Bogey to film and TV music including the themes to the BBC programmes Pot Black and Soldier, Soldier. Quieter pieces such as Unchained Melody and Ashokan Farewell contrasted with exciting music like Devils Galop (theme tune to Dick Barton, Special Agent on the radio) and all were introduced by our regular compere Eddie who kept the audience informed while the band wrestled with the music in rather blustery conditions. A very enjoyable afternoon and we hope to return again next year.
Sunday 21st July 2019.
This was the third time we had played at the Newark Castle Sunday Afternoon Concerts. It’s a lovely concert to play as the audience comes ready for a good time, bringing folding chairs and picnic teas. This year the audience was the largest we had seen in our visits there, at over 300 people. According to one of the organisers the largest they had seen so far this summer. They were an enthusiastic and knowledgeable audience, talking to us in the interval about our instruments and about the instruments they had played in the past: their applause rang out around the site. We were lucky to receive many comments that can best be summed up by one lady who came to the bandstand when we were packing up to say it was the best concert they had had this year and the choice of music was incredible. And as a member of Newark Town Council she attended all of them so felt she was in a position to know!
As for the concert itself, we all arrived in good time to get our music pegged down to defy the stiff breeze. The afternoon was forecast to be dry with sunny intervals and the breeze took the edge off the heat of the sun, though it did play havoc with unpegged music. Some extra early band members took advantage of the lack of queue in order to have a pre-concert ice cream before the audience had settled. As this was holiday season we were lucky enough to have talented deps to cover key instruments of euphonium, flute, oboe and clarinet and we set off to the rousing strains of Colonel Bogey. The concert was a mix of dramatic pieces (such as Pirates of the Caribbean, Coronation Scott and Colditz March) and more thoughtful pieces such as I Don’t Know how to Love him, Hallelujah and the beautiful Ashokan Farewell.
Newark has always been a happy venue for us and this year was no different – in fact it was better than ever. We are always glad to play there.
It’s a sign of success when the same venue invites you to return, but it’s a real challenge too. Obviously we wish to maintain the standard but we also need to play things that are different from the previous programme. And they ask for the old favourites of Jerusalem, Sea songs and Pomp and Circumstance so it’s nice to give them the right music to build up to the grand finale. And, once again, Dave Coble pulled off a programme that did that.
Colonel Bogey evokes memories of watching The Bridge over the River Kwai and keeping a stiff upper lip and always gives our compere, Eddie Pearson, the chance to remind us of how the title of the piece was chosen. The stirring sounds of Pirates of the Carribean get right into the blood and Black and White Rag is a tricky piece designed to get toes tapping. The first half ended on a rousing note with the William Tell Fantasia, a favourite of Katie our drummer.
The second half built tension: the audience knows what is coming and wait with song sheets in hand. Devil’s Galop is another stirring piece with a breathless run to a cliff hanger ending and Music for a Darkened Theatre (a recent favourite) set a really good contrast with the joyous Last Night of the Proms pieces
And come it did! From the first bars of No Place like Home in Sea Songs, the audience was sitting up and alert. When it came to Pomp and Circumstance they were their feet, stamping, singing and waving flags whenever the time was right.
It was a marvellous concert, rounded off by a standing ovation. Sadly for me, I had to miss playing and this report is only available due to the help of a team of people: Maggie Styles who agreed to me using her Facebook post and helped me get the atmosphere of the evening, Zoe Felton and Mark Sadler, who made notes for me. Thank you all!
In what is becoming an annual event, our concert in May was a return to All Saints’ Church Thurcaston. This event is held to raise funds for the upkeep of this beautiful church on Anstey Lane. The concert is always well received and the band members are treated as old friends!
The programme comprised of largely new pieces but did include old favourites such as Magnificent Men and Coronation Scot. One brand new piece, Black and White Rag, was introduced by Eddie Pearson our evening’s compere, as once being well known as the theme music for Pot Black, a television programme that did much to popularise the game of snooker.
The programme also included Romance from The Gadfly, with the solo taken by Zoe Felton on alto saxophone.
I spoke to audience members during the interval who were really enjoying the evening. “I wanted to dance down the aisle” one lady told me. Others loved our rendition of the William Tell Fantasia again recalling the link it has with the Lone Ranger!
Due to the time of year, it was still light when we left and band members were able to drive home by the pale yellow light of an enormous full moon. But how many were lucky enough to witness the mist rising from the River Soar, filling the road with an eerie silver light?
Afternoon Delight concert at Mountsorrel Memorial Centre, Sunday 28th April 2019.
This afternoon concert threw up more than the usual share of challenges for the band. A number of players were coming back from holiday, one couple practically calling in en route for home and others playing between doing the post travel grocery shopping and putting it all away! Another player had to race home for forgotten music and the rest of us simply had a new venue to get used to. Fortunately we had the dual rocks of Dave Coble wielding the baton and Eddie Pearson compering. So we’ll always be ok in a pub quiz if there’s a question about the origins of Colonel Bogey. (And if you weren’t listening, it has nothing to do with noses!)
We played a programme that included many new pieces including Waltz Number 2, William Tell Fantasia, National Emblem, Swing Low, Sweet Chariot and the Devil’s Galop as well as firm favourites such as The Magnificent Men in their Flying Machines. Devil’s Galop was introduced to the audience as the theme from Dick Barton, Special Agent which raised a ripple of recognition from the audience. Nothing dates an audience like the pieces they recognise!
The audience was small but very select and extremely appreciative. All the afternoon’s challenges melted away with the positive comments and whole hearted applause. As she left the car park, one lady wound down her window to say “thank you - it was superb afternoon!”
Nothing more need be said!
This annual event has evolved over the ten years that Passion has been in existence. The ecumenical project for the young people of Shepshed has, in previous years, seen choirs from all the churches that started it. This year it featured a children’s choir from Newcroft School, the Caroline Sharpe Singers and a choir from Christchurch Methodist with Chero Voce, as well as the Band.
The children’s choir upstaged all of us. The children are from the entire primary age range, some as young as four years old. They melted hearts as the little ones at the front held hands throughout their performance. And such was the enthusiasm to take solos for I’d like to Teach the World to Sing they performed a very neat dance to allow each soloist to take the front. Not unlike Band Aid when they recorded Do They Know it’s Christmas! They also joined in at every opportunity, clapping along to A Tribute to Elvis, jigging about on their chairs and performing a hand jive.
The Caroline Sharpe Singers performed two sets in typically professional style and the Methodist Choir with Chero Voce sang songs from Les Miserables.
The Band played familiar numbers as well as some new ones such as Music for a Darkened Theatre. Mark Sadler performed his first solo in Bohemian Rhapsody and our drummer Katie provided a role model for the children of Newcroft as they imitated her performance.
The whole evening was rounded off with excerpts from the Last Night of the Proms programme. The audience, encouraged by the choirs, sang their hearts out and waved flags, including a Welsh Flag, showing that this patriotic music can speak to all nations!
The whole evening raised a grand total of £1164.70 for Passion.
Saturday 22nd December, saw us back in the comfort of St Botolph’s Church, Shepshed, for the annual concert. The comfort this time included a very welcome cuppa after our warm up, before the concert even began!
For this concert we were joined by the Loughborough Male Voice Choir, under the musical direction of Chris Hill. When Chris’s many talents took him to the organ or the piano his role was ably filled by Gerry Brennon. The choir sang with the mellifluous quality we have come to enjoy from them but we had not realised they included mouth organ in their repertoire! This was included by Michael Godwin and it provided a beautiful and tuneful contrast.
In our turn we played carols for the audience to join in with and Christmas music such as the theme from Frozen, Troika by Sergei Prokofiev and Fairy Tale of New York. However, the piece that brought the hairs standing on the back of necks was Medieval Christmas, and it received many compliments from the knowledgeable audience. And rightly so as the second movement is a powerfully evocative piece of music.
As ever, we were looked after by Musical Director, Dave Coble and the evening was compered by Eddie Pearson. Refreshments were provided by Passion, Shepshed’s youth charity and we’ll be back playing in the concert for Passion early in 2019.
On Saturday 8th December, resplendent in Christmas jumpers, Santa hats and tinsel, we played in Loughborough precinct for charity.
We had nominated the Alzheimer’s Society as our Christmas Charity and offered to raise money by playing Christmas music and carols in Loughborough’s Carillon Prescient. We also have a raffle at our Christmas social and the proceeds go towards the chosen charity.
There are a number of challenges involved in playing in a precinct. One of these is how close the audience is to us - and people are interested and want to talk! So when one audience member commented (favourably) on Eddie’s bass clarinet and one of the bucket wielding charity collectors patted me on the shoulder and said “Hurry up, the passers-by only donate if you’re playing!” you can only take it in good part.
It’s a concert that I, personally, enjoy every year. Possibly because it’s slightly less formal than our other concerts but also because I love to see people stop and listen and sing along with the carols. And of course, we always choose a very good cause.
The music chosen included enduring favourites such as The Little Drummer Boy and Walking in the Air and a range of carols including as Hark the Herald Angels Sing and Good King Wenceslas.
Special thanks are due to Ian for braving the rain to collect chairs for us to use. He also designed a rather good poster advertising the charity.
A view from the Bandstand.
Loughborough Concert Band had the honour of being invited to play at the Service of Remembrance in Queen’s Park, commemorating the 100th Year since the signing of the Armistice Treaty at the end of the First World War. It really is a remarkable event and from the vantage point of the bandstand there is much to be seen.
We played as the congregation was coming in dressed in warm clothes and hats as the day was windy and not promising. They came in groups or singly, some pushing be-medalled veterans, some pushing children in buggies and some with toddlers riding on their shoulders.
The music chosen reflected the sadness and solemnity of the occasion and to name but a few Hymn to the Fallen, Prelude to the 49th Parallel and Chanson de Martin began our programme in suitable mood.
As well as the hymns and prayers the service included an account of how the news of peace broke on Loughborough 100 years ago, the celebrations by some and the mixed feelings inevitably held by those families who could never be the same again. It also included the moving Kohima Epitaph, inscribed to memorialise the Battle of Kohima:
When you go home
Tell them of us and say
For your tomorrow we gave our today.
The two minutes silence and the fall of poppies from the Carillon was broken by the blowing of a World War l whistle.
The band played while people went home: The British Legion March, Nimrod, WWl Medley and The Colditz March.
The wind had blown our banners and our music. We had cold feet and faces. But we were all glad to have been able to contribute to the memorial service held for a generation who did not live to take for granted, as we are able to do, the NHS, the rise of the supermarket and the music of the Beatles. They gave everything. We gave a couple of hours.
This concert took us to some new ground, St Mary’s in Melton Mowbray. The church is spectacular – full of soaring pillars topped by graceful arches. And it’s huge – like a cathedral. We had offered a concert to raise funds to support the Heart of St Mary’s re-ordering project. So much had been done – the organ (previously played by Sir Malcolm Sargent, no less) had travelled to Bideford in Devon for a complete overhaul, and the floor, which had been on several levels reached by ramps and steps, is now all one level throughout, to name but two features of the renovation. The lavatories, whether or not part of the refurbishment, won praise from one band member as the swishest ever used in a church!
The concert was a celebration of television and film music, and, bending the brief slightly, radio. The first half included medleys of Disney music and of Bond tunes. This last gave compere Eddie Pearson the chance to challenge the audience to name their favourite Bond. (Sean Connery was chosen. But audiences nearly always say that. Presumably that’s because they are faintly stunned at having the opportunity to talk to the compere!) The first half concluded with Big Country, piece hailed as a favourite by one happy audience member.
A well-earned refreshment break was followed by Galloping Home the theme from Black Beauty, a piece that was held off the top spot of all time favourite TV themes by the ever popular Hawaii 5-0. Now, there’s an idea for the band…The final piece of the evening was American Trilogy with an encore of Magnificent Men.
We had help from some very talented Deps including Sue Cornish and Christine Ranson on Clarinet, Gwyn Bailey on trumpet, Colin Pearson on drums and Steve Boyles on tuba who all stepped in for unavailable band members.
LCB at St Botolph's Church, Shepshed